Tag Archive | Bach

Wedding Music: The Jeremiah Clarke Trumpet “Mystery”

The Jeremiah Clarke Trumpet Tune and Ayre and Trumpet Voluntary or Prince of Denmark’s March

The English composer Jeremiah Clarke (c. 1674 – 1707) has had the great misfortune to have his two best compositions wrongly attributed to his much more famous contemporary Henry Purcell (1659-1695):

Jeremiah Clarke’s Trumpet Tune and Ayre:

Jeremiah Clarke’s Trumpet Voluntary or Prince of Denmark’s March:

The Confusion between Jeremiah Clarke and Henry Purcell

Jeremiah Clarke (1659-1707)

Jeremiah Clarke (1659-1707)

You will still, quite often (as in one of the above videos), hear both of these pieces being attributed to the wrong composer: i.e. the Henry Purcell Trumpet Tune and Ayre and the Henry Purcell Trumpet Voluntary or Prince of Denmark March.

Music historians have known better for at least 50 years. The rightful composer of both works is Jeremiah Clarke. Now, when dealing with 400-year old music it is expected that there will be, from time to time, some confusion regarding who wrote what.

When I was in college as a music major  I learned Eight Little Preludes and Fugues by “Bach” on the pipe organ only to later find out that these pieces are actually now believed to have been written by the virtually unknown composer Johann Ludwig Krebs (1713-1780).

These things happen. It seems to me, however, highly suspect that Jeremiah Clarke should have be robbed of his fame the way he has been for several centuries.. Of  course, as with the Eight Little Preludes and Fugues, the confusion over the authorship should not in any way detract you from enjoying or using the wonderful music for your Wedding.

I have no evidence to back this up, but I would suspect that Jeremiah Clarke ‘s lack of acknowledgment originally may have stemmed, at lest in part, from the fact that he committed suicide:

“A violent and hopeless passion for a very beautiful lady of a rank superior to his own” caused him to commit suicide. Before shooting himself, he considered hanging and drowning as options, so to decide his fate, he tossed a coin—however the coin landed in the mud on its side. Instead of consoling himself, he chose the third method of death, and performed the deed in the cathedral churchyard.Suicides were not generally granted burial in consecrated ground, but an exception was made for Clarke, who was buried in the crypt of St Paul’s Cathedral(though other sources state he was buried in the unconsecrated section of the cathedral churchyard.” Wikipedia

With such narrow-mindedness being the prevailing attitude in the early 18th Century it is quite easy to imagine that the name of hugely famous Henry Purcell was substituted for that of the out cast “suicide” Jeremiah Clarke.

The Jeremiah Clarke Trumpet Tune and Ayre

The Trumpet Tune and Ayre written by Jeremiah Clarke for the stage production The Island Princess which was a joint musical production of Clarke and Daniel Purcell (1664-1717), Henry Purcell’s younger brother.

The “Ayre” or “Air” is the quieter song-like section sandwiched between the main Trumpet Tune:

The Jeremiah Clarke Trumpet Voluntary or Prince of Denmark’s March

Clarke’s Trumpet Voluntary, also known as the Prince of Denmark’s March, is believed to have been written in honor of Prince George of Denmark, husband of Queen Anne of Great Britain.

The Royal connection has come down the centuries as Jeremiah Clarke’s Trumpet Voluntary was used as the Processional for Lady Diana Spencer on the day of her marriage to HRH Prince Charles at St. Paul’s Cathedral (1981, about 2:18 in the video below).

So, Jeremiah Clarke did eventually receive the recognition that he was due. If he was listening, he would be pleased to hear his music accompany Princess Diana’s walk down the aisle at St. Paul’s Cathedral where he had been organist in the late 17th Century.

Patrick Byrne, Piano

I would love to work with you to help make your own Wedding or special event a truly beautiful experience for your family and friends.

For more information please go to my main Wedding Music page.

 

Wedding Music: J.S. Bach Jesu, Joy of Man’s Desiring

J.S. Bach: Jesu, Joy of Man’s Desiring

Jesu, Joy of Man’s Desiring is an unforgettable choral piece with one of the best know melodies of all time:

J.S. Bach and his Jesu, Joy of Man’s Desiring

J.S. Bach in 1720's

J.S. Bach in 1720’s

Johann Sebastien Bach (1685-1750) was very likely the greatest composer of all time. He wrote an amazing number of works and almost every one of them is a masterpiece of the highest order. I recently read a biography of Bach that pointed out that, even though Bach is known for producing a great number of compositions, the majority of what he composed was discarded or otherwise lost during his lifetime.

J.S. Bach came from one of the major musical families in what is now Germany. That is why we need the “J.S.” to distinguish him from his many uncles, brothers and sons who were all, themselves, very talented composers.

J.S. Bach’s music was a culmination of the Baroque Era which stretched back to about 1600. Shortly after his death, and that of George Frederick Handel in 1758, composers like Franz Joseph Haydn and Wolfgang Amadeus Mozart ushered in a the new Classical Era of music. No matter what style composers wrote in during the centuries after Bach’s death they have all praised him as being their musical Master.

Even though J.S. Bach has had a tremendous influence on the history of music, he lived a rather provincial life never straying very far from the small towns and cities of central Germany and never visiting the major musical capitals of his day: Paris, London, Rome, etc.

For convenience, J.S. Bach’s many works are referred to by their BWV numbers (Bach-Werke-Verzeichnis or Bach Works Catalogue). Jesu, Joy of Man’s Desiring is just one section (at 16:29 and again at 26:09 in the video below) of one of Bach’s many church Cantatas: Herz und Mund und Tat und Leben (“Heart and Mouth and Deed and Life”) BWV 147.

This Cantata was originally written in 1716 for one of the Sunday’s of Advent but remained unperformed at that time. Bach recycled and expanded the Cantata in 1723 for the feast of the Visitation. It was first performed on July 2, 1723.

Bach’s Jesu Joy of Man’s Desiring is “rediscovered”

Dame Myra Hess Recital during The Blitz

Dame Myra Hess Recital during The Blitz

As I mentioned above, Bach’s music has always been studied and admired by professional musicians. He is sometimes referred to as a “musician’s musician.” Despite that “insider” admiration, Bach’s music has sometimes lacked a greater appreciation by the general public who are often more interested in the “latest and greatest.”

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In 1926 the English pianist Dame Myra Hess (1890–1965) published her arrangement of Jesu, Joy of Man’s Desiring for piano solo.

 

Londoners lined up to hear Dame Myra Hess during The Blitz

Londoners lined up to hear Dame Myra Hess during The Blitz

Dame Myra Hess was a  very good pianist but she is most remembered today for two things: popularizing  Jesu, Joy of Man’s Desiring and heroically continuing a recital series during the London Blitz of World War II. Between September 7, 1940 and May 21, 1941 40,000 Londoners were killed by the German air raids. Dame Myra Hess forever endeared herself to the British people by “keeping calm and carrying on” by playing beautiful music in the midst of such death and destruction.

In Chicago, since 1977, the Dame Myra Hess Memorial Concert Series has been presented every Wednesday just after Noon at no charge in the Preston Bradley Hall of the Chicago Cultural Center by the International Music Foundation.

Adding some “Joy” to Your Wedding

Because of its quiet nature and slow pace, J.S. Bach’s Jesu, Joy of Man’s Desiring is suitable as a Processional for the Bride or as part of the Prelude music selections.

Patrick Byrne, Piano

I would love to work with you to help make your own Wedding or special event a truly beautiful experience for your family and friends.

For more information please go to my main Wedding Music page.